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since feeling is first who pays any attention to the syntax of things will never wholly kiss you; wholly to be a fool while Spring is in the world
my blood approves, and kisses are a better fate than wisdom lady i swear by all flowers. Don’t cry —the best gesture of my brain is less than your eyelids’ flutter which says
we are for each other: then laugh, leaning back in my arms for life’s not a paragraph
And death i think is no parenthesis
since feeling is first by e.e. cummings
Some say the world will end in fire, Some say in ice. From what I’ve tasted of desire I hold with those who favor fire. But if it had to perish twice, I think I know enough of hate To say that for destruction ice Is also great And would suffice.
Fire and Ice by Robert Frost
A mermaid found a swimming lad, Picked him for her own, Pressed her body to his body, Laughed; and plunging down Forgot in cruel happiness That even lovers drown.
THE MERMAID William Butler Yeats
Have you ever watched kids
On a merry-go-round?
Or listened to the rain
Slapping on the ground?
Ever followed a butterfly’s erratic flight?
Or gazed at the sun into the fading night?
You better slow down.
Don’t dance so fast.
Time is short.
The music won’t last.
Do you run through each day
On the fly?
When you ask How are you?
Do you hear the reply?
When the day is done
Do you lie in your bed
With the next hundred chores
Running through your head?
You’d better slow down
Don’t dance so fast.
Time is short.
The music won’t last.
Ever told a child,
We’ll do it tomorrow?
And in your haste,
Not see his sorrow?
Ever lost touch,
Let a good friendship die
Cause you never had time
To call and say,’Hi’
You’d better slow down.
Don’t dance so fast.
Time is short.
The music won’t last..
When you run so fast to get somewhere
You miss half the fun of getting there.
When you worry and hurry through your day,
It is like an unopened gift….
Thrown away.
Life is not a race.
Do take it slower
Hear the music
Before the song is over.
Slow Dance by Timothy Ferris
Gooses, geeses I want my geese to lay gold eggs for easter At least a hundred a day And by the way
I want a feast I want a bean feast Cream buns and doughnuts And fruitcake with no nuts So good you could go nuts
No, now
I want a ball I want a party Pink macaroons And a million balloons And performing baboons and Give it to me now
I want the world I want the whole world I want to lock it All up in my pocket It’s my bar of chocolate Give it to me now
I want today I want tomorrow I want to wear ‘em Like braids in my hair and I don’t want to share ‘em
I want a party with roomfuls of laughter Ten thousand tons of ice cream And if I don’t get the things I am after I’m going to scream
I want the works I want the whole works Presents and prizes And sweets and surprises Of all shapes and sizes
And now
Don’t care how, I want it now Don’t care how, I want it now
‘I Want It Now’ By Roald Dahl
Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth;
Then took the other, as just as fair, And having perhaps the better claim Because it was grassy and wanted wear, Though as for that the passing there Had worn them really about the same,
And both that morning equally lay In leaves no step had trodden black. Oh, I marked the first for another day! Yet knowing how way leads on to way I doubted if I should ever come back.
I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I, I took the one less traveled by, And that has made all the difference.
‘The Road Not Taken’ by Robert Frost
Woman wants monogamy; Man delights in novelty. Love is woman’s moon and sun; Man has other forms of fun. Woman lives but in her lord; Count to ten, and man is bored. With this the gist and sum of it, What earthly good can come of it?
‘The Sex Situation’ by Dorothy Parker
My aunt was an organ donor and so, the day she died, her organs were harvested for medical science. I suppose there must be people who list, under “Occupation,” “Organ Harvester,” people for whom it is always harvest season, each death bringing its bounty. They spend their days loading wagonloads of kidneys, whole cornucopias of corneas, burlap sacks groaning with hearts and lungs and the pale green sprouts of gall bladders, and even, from time to time, the weighty cauliflower of a brain.
And perhaps today, as I sit in this café, watching the snow and thinking about my aunt, a young medical student somewhere is moving through the white museum of her brain, making his way slowly from one great room to the next. Here is the gallery of her girlhood, with that great canvas depicting her father holding her on his lap in the backyard of their bungalow in St. Louis. And here is a sketch of her the summer after her mother died, walking down a street in Berlin when the broken city was itself a museum. And here is a small, vivid oil of the two of us sitting in a café in London arguing over the work of Constable or Turner, or Francis Bacon after a visit to the Tate.
I want you to know, as you sit there with your microscope and your slides, there’s no need to be reverent before these images. That’s the last thing she would have wanted. But do be respectful. Speak quietly. No flash photography. Tell your friends you saw something beautiful
The White Museum by George Bilgere
The caged bird sings with a fearful trill of things unknown but longed for still
Excerpt from ‘I Know Why the Caged Bird Sings’ by Maya Angelou
All these girls thinking if they lose weight they can float—or fly
but they forget the jet plane;
heavy anchors in the blue—
studying fragile frames of fledglings
who become Blue Jays but never Swallows.
Only chews and spits.
I knew a girl who thought donating blood helped lose the pounds
she became her own vampire;
bleeding herself beautiful.
Girls who transform into sheets of paper,
hover on the water surface for seconds
and then absorb like toilet paper and sink.
I think, even if the time came
their spines wouldn’t support the wings.
‘Cyanocitta cristata’ by operahousegirl
Once, when I was young and true, Someone left me sad- Broke my brittle heart in two; And that is very bad.
Love is for unlucky folk, Love is but a curse. Once there was a heart I broke; And that, I think, is worse.
‘A Very Short Song’ by Dorothy Parker
When all the world is young, lad, And all the trees are green; And every goose a swan, lad, And every lass a queen; Then hey for boot and horse, lad, And round the world away; Young blood must have its course, lad, And every dog his day.
When all the world is old, lad, And all the trees are brown; And all the sport is stale, lad, And all the wheels run down; Creep home, and take your place there, The spent and maimed among; God grant you find one face there, You loved when all was young.
‘Young and Old’ by Charles Kingsley
If all the good people were clever, And all clever people were good, The world would be nicer than ever We thought that it possibly could.
But somehow ‘tis seldom or never, The two hit it off as they should, The good are so harsh to the clever, The clever, so rude to the good!
So friends, let it be our endeavour To make each by each understood; For few can be good, like the clever, Or clever, so well as the good.
‘Good and Clever’ by Elizabeth Wordsworth
Pretty women wonder where my secret lies. I’m not cute or built to suit a fashion model’s size But when I start to tell them, They think I’m telling lies. I say, It’s in the reach of my arms The span of my hips, The stride of my step, The curl of my lips. I’m a woman Phenomenally. Phenomenal woman, That’s me.
I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It’s the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I’m a woman Phenomenally. Phenomenal woman, That’s me.
Men themselves have wondered What they see in me. They try so much But they can’t touch My inner mystery. When I try to show them They say they still can’t see. I say, It’s in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I’m a woman
Phenomenally. Phenomenal woman, That’s me.
Now you understand Just why my head’s not bowed. I don’t shout or jump about Or have to talk real loud. When you see me passing It ought to make you proud. I say, It’s in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, ‘Cause I’m a woman Phenomenally. Phenomenal woman, That’s me.
‘Phenomenal Woman’ by Maya Angelou
Creep into thy narrow bed, Creep, and let no more be said! Vain thy onset! all stands fast. Thou thyself must break at last.
Let the long contention cease! Geese are swans, and swans are geese. Let them have it how they will! Thou art tired; best be still.
They out-talked thee, hissed thee, tore thee? Better men fared thus before thee; Fired their ringing shot and passed, Hotly charged — and sank at last.
Charge once more, then, and be dumb! Let the victors, when they come, When the forts of folly fall, Find thy body by the wall!
‘The Last Word’ by Matthew Arnold
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